Portfolio

My first major solo release. I composed, produced, and recorded all music myself, including the vibraphone parts. Following the release, I performed the material live at various venues and in different contexts.

A track that came together during a holiday. The accompanying video documents both the music itself and the creative process behind it, making the composition more transparent and accessible.

For this project, I combined my music with my own lyrics and texts for the first time. I also moved away from fixed song structures, exploring floating, repetitive textures and patterns instead.

Short Film on depression

For this short film I composed the original score as well as doing the on set recording, the sound design, the mix. It focuses on the depression of a young women embodied by a man in a grey suit. Because the man is only seen by her, we tried use the score to highlight the control the depression has over her. I also wrote, produced and recorded the title track called „grey friend“.
(due to film festival application I can just show an excerpt of the film and can’t write the name)

Title Track: Grey Friend

I composed the original score for this short film by Zsófia Barki. As it is a  slow, dialog based film I created a minimalistic score to highlight the mood shifts in the dialog. It was very rewarding to work close with Zsófia to help her vision come true. I did all of the score while a colleague did the source music.(due to film festival application I can just show an excerpt of the film)

I handled all audio for this documentary by Michael Kempf and Elias Bartl—from on-set recording during shoots to sound design, post-production, composing the original score and the final mix.

Lichtenberg Project
I provided live music for a contemporary dance project, working alongside other student musicians. I supported them in developing and performing music for the live dance piece. I worked together with choreographers Anke Hardt and Robozee who worked on the choreography together with the students. It was very rewarding to work together with in a very democratic way.

Trust the process
An improvisation project with Carina Vollenbröker, whom I met during my studies. We developed the concept of improvising in different spaces, incorporating each location into our playing. We later teamed up with Sarah Ljubijankic, who documented our sessions and created a documentary about the process. Together, we planned all shoots and produced both the sessions and the film.
The project contains of the sessions we’ve did in the different spaces as well as a documentary which followed our process.

Mozart Requiem
For this performance,we created additional percussion parts that contrast with the Requiem between movements. I collaborated with percussionist Oscar Tudge and musical director Uwe Münch to recontextualize the work. The goal was to extend the already existing depth of the requiem in a modern way. (Timestamps for the percussion parts are in the video comments.)

A collaboration with contemporary composer Ikumi Yamauchi, who wrote this piece for me. It was premiered in Salzburg in June 2024.

After a masterclass with Sarah Nemtsov, I performed this piece in several concerts, including at Deichtorhallen Hamburg in February 2025. I recorded it in July 2024.

A photography project from 2025 focusing on overlooked places and aliennation in daily life—specifically train stations and their travelers. The project was published in „Kaffee und Kippen“ magazine in September 2025.

A reworked version of „Fleecepullirücken“ from my EP „Kram“, reimagined as part of grainy days with added spoken word elements. We worked with two contemporary dancers for the video. I contributed to the visual concept and overall imagery, and also handled editing and color grading.